The lazy opportunist in me thinks it’s okay to re-purpose an email I just wrote to Joshua Hren and Mary Finnegan at Wiseblood Books as a blog entry. So here goes:
Lots of good things happening in connection with our book. Here are four things to be thankful for, all of which occurred this week.
You may remember my telling you that Barbara Loots, whom I met at the West Chester Poetry Conference years ago, was so impressed with Vocance’s poetry that she looked into entering One Hundred Visions of War in the collection of the National WWI Museum and Memorial. She just sent word of her success. Here’s a message from the Vice President of Collections at the museum:
Thank you for contacting the National WW I Museum and Memorial. Your offer of a potential donation is very generous, and we are very interested in adding it to our collection.
As an international resource, the Museum and Memorial has been collecting since 1920 from all 36 nations in the war and our collection now numbers over 350,000 items. Your donation will make a valuable addition to our collection and could potentially be used in exhibitions, research, public programs, and education initiatives.
Please mail the objects to the address below. Upon receipt, a member of the Collections Department will examine each item and send you a gift agreement letter. Please allow 60 days from the object’s arrival for receipt of letter.
Thank you again for your donation offer. We are grateful to be the recipient and assure you that we will adhere to the highest professional standards for its care and use. We greatly appreciate your consideration of the National WWI Museum and Memorial.
Christopher A. Warren, JD, PhD
Vice President of Collections & Senior Curator
National WWI Museum and Memorial
2 Memorial Drive | Kansas City | MO | 64108
Ned Balbo wrote a great recommendation of the book in his omni-bus review in Literary Matters.
Here’s the link: https://www.literarymatters.org/15-3-beloved-communities/
. You’ll see that we’re keeping glorious company. Just to read the authors and titles of the other books reviewed is recommendation enough!
Then, there’s this weird coincidence. On Thursday Gina and I took our granddaughters to ride their scooters on the rail trail in Newburyport. There a Little Free Library box near on the trail, and I can’t go by one of them without glancing in at its contents. There was an issue of Modern Haiku.
I’d never seen an actual hard copy of the magazine, so grabbed it. It turned out to be the most recent issue, and leafing through it I found yet another review of One Hundred Visions of War.
This one isn’t nearly as sympathetic. Its author finds fault with my counting syllables and with my not including the french versions; ironically, he then dismisses his complaints as nit-picking, having devoted two-thirds of his review to them, and gives the book his recommendation. It’s a head-scratcher, but the reviewer is none other than Paul Miller, from whom I learned almost everything I know about Vocance. In my intro to the book I give credit to his two essays, available in The Haiku Foundation Digital Library
Finally (for now), Tony Tsonchev, editor of the Montréal Review, accepted two of my poems and, noting my most recent publication, asked me to write an essay about Julien Vocance to pair with an essay on Japanese Bushido philosophy that appears in this issue. I told him that all I knew about Vocance I’d learned from Miller’s two essays and Dana’s Preface, and from an intuitive sense of the poet that came to me in the act of translation. To talk about about that third source would bring me perilously close to the Region of BS, so I declined the opportunity. He then asked permission to reprint Dana’s Preface; (having run the idea by you and Dana), I sent him the text and he’s including it in the issue that’ll come out shortly. I’ve already seen the proof. It’s got a big, obvious link to information about One Hundred Visions of War.
An amazing little avalanche of good fortune.