The double dactyl is aptly described on the jacket of this new anthology as “a devilish amalgam of rhyme, meter, name-dropping and pure nonsense,” but editors Daniel Groves and Greg Williamson have somehow persuaded the likes of X. J. Kennedy, J. D. McClatchy, Kim Bridgford, Caki Wilkinson, Andrew Hudgins and Charles Martin to contribute their efforts to this new anthology, conceived as a follow-up to the original Jiggery-Pokery anthology compiled by the inventors of the form, Anthony Hecht and John Hollander. Also included are three of my own poems, along with several by my good friend A. M. Juster.
Read Midge Goldberg’s response to A. M. Juster’s new volume of poems and translations in The Claremont Review of Books.
Okay, this essay, published in The Literateur, speaks favorably of a friend’s book for which I happened to write a blurb—but all of that aside, the review is an entertainment in itself: read it just for the fun of it!
8:30 M Breakfast with the Poets: Four Powow River Poets with new books, Bill Coyle, David Davis, Nancy Bailey Miller, and Anton Yakovlev, along with special guest, David Berman.
10 AM Deft with a Dagger: A. M. Juster & Alexandra Oliver. You’ll die laughing.
11 AM The Play of Thought: Deborah Warren & Dan Brown. “Wit” has meant different things at different times. My favorite definition is from the 17th century: “Natural Wit consisteth in two things: Celerity in Imagining (that is, swift succession of one thought to another), and steddy direction to some approved end.” Here are two of our wittiest contemporaries.
1 PM Imagination Without Pretense: Kevin Carey & Midge Goldberg. William Wordsworth would have loved these two poets, who write about “incidents and situations from common life” in “language really used by men [and women].” That’s probably what makes them both favorites of Garrision Keillor as well.
2 PM Licensed by the Muse: James Matthew Wilson & Catherine Chandler. In a time when many poets declare themselves “liberated” not only from meter and rhyme but even from punctuation and the rules of grammar, these two poets have devoted themselves to the study and practice of Engish verse technique, tapping into a creative wellspring over 700 years old. Theirs is truly “roots” music!
3 PM Master Craftsmen: Robert Shaw & Robert Mezey. Robert Mezey has been accused of “an unyielding poetic integrity;” Robert Shaw would plead guilty of the same offense. That may explain why these two excellent poets have stayed out of the spotlight despite lifetimes of high literary achievement. Like skilled burglars, their focus is not on getting attention but on getting the job done.
You really have to give yourself the pleasure of reading A.M. Juster’s review of The Hatred of Poetry by Ben Lerner, a book that Juster finds “self-indulgent, intellectually lazy, and bizarrely unfocused.” Read more at The Claremont Review of Books.
I’m afraid the title of this post sounds like a description of the nightly news, but I am referring to Micah Mattix’s review of A. M. Juster’s new book of poetry, Sleaze & Slander, which deserves the high praise Mattix gives it.
We were blessed with another idyllic weekend this year in Derry, New Hampshire, where the second annual Frost Farm took place June 17-19. One of the participants, Cal Johnson, managed to capture the readings on Friday evening without disrupting the proceedings! (Thanks, Cal!) Here is a link to the “Faculty Reading,” which features the four workshop directors each reading three poems. You’ll hear Deborah Warren read first, followed by myself, A. M. Juster and Midge Goldberg, in that order.