Come to The Frost Farm Poetry Conference, June 14-16, 2019. There’s no better place for poets —and aspiring poets—to gather. The setting is one of a kind and the faculty includes some of my favorite poets. I’ll be teaching metaphor this year, which is like teaching magic.
Passages, our new CD, was released on October 1! Hard to believe that it has been nine years since our we made our first recording of melopoeia,, the art that so delighted Rhina Espaillat when she heard it as a child in the Dominican Republic. Rhina’s earliest memories include the pleasurable one of hearing poetry recited in her home to the sound of guitars and the piano. Her grandmother, herself a poet, would invite other poets and musicians to the house for recitals. Though as a child she could not understand what was being said, she understood immediately an essential thing about how it was said: music came from the spoken words as well as from the instruments. “These people were having fun!” she remembers.
We’re still having an awful lot of fun putting together programs of melopoeia and performing them for appreciative audiences, though I’m afraid many of our best performances take place around Rhina’s kitchen table. It must be the sherry!
In this most recent program we explore various kinds of journeys, or passages: the very different sea-voyages of conquistadors and exiles; the swift travel of atomic particles; a seemingly inconsequential walk from the work-place to the bus; and finally, the passage of time and the final border-crossing that lies ahead of us all.
Classical/flamenco guitarist John Tavano has never sounded better!
Thanks to Alan Bull for letting us use his painting for the cover, to my sister Elise Nicol for doing the graphic design, and to the wonderful poet Alicia Stallings, and the great Richard Wilbur, whose poems we’ve borrowed to add to the mix.
You can view track listings and listen to samples at CDBaby.
The New School
66 W 12 Street, New York, NY
Best American Poetry series editor David Lehman and guest editor Dana Gioia headline an all-star cast of poets included in this year’s much anticipated volume. Join them for the launch reading, an annual rite of Autumn in New York.
Allison Adair, Kaveh Akbar, Andrew Bertaina, Bruce Bond, George Bradley, Brendan Constantine, Mary Ann Corbett, Cynthia Cruz,Warren Decker, Dante Di Stefano, Nausheen Eusuf, Jonathan Galassi, Sonia Greenfield, Ernest Hilbert, R. Nemo Hill, Anna Maria Hong, Marie Howe, Steven Kampa, Mandy Khan, Ilya Kaminsky, Karl Kirchwey, Nate Klug, Nkosi Nkululeko, Aimee Nezhukumatathil, Alfred Nicol. Sharon Olds, Jacqueline Osherow, Elise Paschen, Wang Ping, Aaron Poochigian, Michael Robbins, Jill Rosser, Jason Schneiderman, Nicole Sealey, Michael Shewmaker, Adrienne Su,, Agnieszka Tworek, G. C. Waldrep, James Matthew Wilson, Ryan Wilson.
Read an excerpt from Dana Gioia’s introduction here.
Free and open to the public
Books will be available for purchase.
One of my proudest moments: to see a poem of mine in Scribner’s Best American Poetry, together with poems by so many friends and teachers: Maryann Corbett, Robert Cording, Dick Davis, David Mason, A. E. Stallings, James Matthew Wilson, Christian Wiman… And if anyone had told my teenage self that Gary Snyder and I would one day publish poems in the same book, well, I’d have been speechless. Kerouac’s Japhy Ryder?!! No way. I couldn’t have hoped that high. Many thanks to editor Dana Gioia for seeing fit to include my poem in his selection of the best poetry published in 2017.
On Wednesday, Oct. 17, at 5:30, three poets from my Emma Andrews Poetry Workshop— Priscilla Turner Spada, Paulette Turco, and Sandra Thaxter—will be featured along with Elizabeth Wolf at The Poetry Society of New Hampshire’s new book night at Gibson’s Bookstore, 45 South Main Street, Concord, NH 03301. Pretty wonderful.
The Newburyport Literary Festival is happening this weekend. Here is the complete schedule. It’s going to be a beautiful day!
Robert Hudson has written “a parallel biography” of what some might consider an unlikely pair, Thomas Merton and Bob Dylan. Both of these poets, however, figured largely as influences on my own development as a poet and Catholic thinker. Read a review of the book in Commonweal.